Showing 37 items matching woollen woven
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Tatura Irrigation & Wartime Camps Museum
Scarf, 1940's
... woollen woven...Woven woollen scarf in royal blue, cream, red and green... Tatura the-murray Scarf Woven woollen scarf in royal blue, cream ...Made and used at Camp 3Woven woollen scarf in royal blue, cream, red and greenscarf, woollen woven, bissinger g, wied k and n, camp 3, tatura, ww2, costume, accessory, clothes -
Tatura Irrigation & Wartime Camps Museum
Scarf, 1940's
... Woven woollen scarf in red, yellow, green. Fringe tied off... Tatura the-murray Scarf Woven woollen scarf in red, yellow, green ...Made and used at Camp 3Woven woollen scarf in red, yellow, green. Fringe tied off in a diamond patternscarf, woollen, woven, bissinger g, wied k and n, camp 3, tatura, ww2, costume, accessory, clothes, handcrafts, weaving -
National Wool Museum
Blanket
... A cream coloured woven woollen blanket....-and-the-bellarine-peninsula Blanket A cream coloured woven woollen blanket ...Belonged to a Scottish migrant, Mrs Liz Milton-Undy, who with her family migrated to Northern Queensland after W W 1. Given to Mrs Pat Coverdale by Mrs Liz Milton-Undy's son Milton, after her death in 1995A cream coloured woven woollen blanket.weaving -
Tatura Irrigation & Wartime Camps Museum
Accessory - Scarf, 1940's
... Woven woollen scarf in black and white pattern... Tatura the-murray Scarf Accessory Woven woollen scarf in black ...Made in Camp 13 by an internee, Max BaumannWoven woollen scarf in black and white patternscarf, weaving, ww2 camp 13, ww2 internment camp craft, max baumann -
Warrnambool and District Historical Society Inc.
Textile - Warrnambool Primary School 1743 Tie, Circa 1950’s
... Brown woven woollen tie with diagonal yellow stripes. White... Warrnambool Primary School 1743 Tie Textile Brown woven woollen tie ...Warrnambool State School, No, 1743 was opened in 1876. The site in Jamieson St was easy to access from the surrounding areas of Belfast, Woodford, and Allansford roads. It was the main school in Warrnambool, before the development of Primary schools at East and West Warrnambool. A large part of Warrnambool’s children have attended this school over the 140 years it has been in existence.A common item with which a large number of Warrnambool residents would identify. Brown woven woollen tie with diagonal yellow stripes. White tag with black and red writing sewn into back seam.Tee- Dee, pure wool, school and college wear. warrnambool, warrnambool jamieson street primary school, no 1743, school tie, warrnambool primary school -
Federation University Historical Collection
Costume Accessories, Tee-Dee, School & College Wear, Old school tie, Mid 1900s
... This woven woollen tie has diagonal, wide bands of green... Accessories Old school tie This woven woollen tie has diagonal, wide ...This woven woollen tie has diagonal, wide bands of green, and narrower bands of gold, blue, gold. It is most probably a School of Mines Ballarat tie.On cotton label tag at the back - Pure wool, "Tee-Dee", School & College wearcostume, tie, uniform, ballarat school of mines tie, textiles -
Stawell Historical Society Inc
Textile - Costume and Accessories
... Fine Cream Woven Woollen Stole. Fine weave edges hemmed... grampians Costume and Accessories Textile Fine Cream Woven Woollen ...Fine Cream Woven Woollen Stole. Fine weave edges hemmed. Tassel finish at ends. Woven silver thread. Two groups across each end.stawell clothing material -
Kew Historical Society Inc
Clothing - Hand-Woven Jacket, Grace James, 1971-1988
... Hand-woven woollen jacket with white bands interspersed...-Woven Jacket Clothing Hand-woven woollen jacket with white bands ...Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Hand-woven woollen jacket with white bands interspersed with diamond patterned bands in shades of green and pink. The kneck and a band down the front uses the dark pink wool. There is a matching belt.grace james, women's clothing, australian fashion 1969-1988, dressmakers - surrey hills (vic), woven jumpers -
National Wool Museum
Textile - Textile fragment, c.1797
... Small fragment of woven woollen fabric, brown colour... Small fragment of woven woollen fabric, brown colour. with some ...Woollen fabric fragment from the wreck of ship "Sydney Cove" found underwater after many years.Small fragment of woven woollen fabric, brown colour. with some white fibres through it. The fragment is frayed and coming apart. It is boxed in a circular clear plastic lidded container, taped and with a typed paper label on the lid.Wording: Fabric scrap from/wreck of ship "Sydney Cove"/ NWM 940112";Method: typed;Location: on label on lidwool - history textile history textile mills textile mills, wool - history, textile history, textile mills -
Federation University Historical Collection
Costume, Ballarat School of Mines Blazer, 1930-50s
The School of Mines was established in 1870 in Ballarat, making it Australia's third oldest tertiary institution. Redmond Barry was its first president, and he was involved in the creation of university degree level courses for the school. The School of Mines was divided into a tertiary division and a technical division. The tertiary division provided higher education courses such as mining engineering, geology, education and business studies, while the technical division provided such programs as wool classing, plumbing and bricklaying.It remained in that form until the 1967 when it was split into three institutions, Ballarat School of Industries, Ballarat Technical School, and Ballarat Institute of Advanced Education. They remained three entities until 1976. Ballarat Institute of Advanced Education merged into Ballarat College of Advanced Education. The Ballarat School of Industries and Ballarat Technical School merged into the School of Mines and Industries, Ballarat (SMB) in 1976. Several entities merged or had arrangements with SMB. In 1994, a memo of understanding (MOU) was signed between SMB and the Ararat Technical School, which was founded in 1969. Then, in 1998, SMB and the Horsham-based Wimmera Institute of TAFE (1984), dating back to 1882, merged into the University of Ballarat to create a larger University. Green woollen, unlined blazer with embroidered emblem on breast pocket. The edges are bound including the three pockets and the sleeve cuff 9 cm from the edge. There are three green buttons at the front. The internal edges are bound and there is tape stitched to the inside where the top of the side and breast pockets are stitched. Embroidered patch on breast pocket. Makers woven tags.ballarat school of mines, blazer, coat of arms, school uniform, costume, textiles -
Federation University Historical Collection
Costume - Blazer, Ballarat Teachers' College Blazer, c1954
Wilma Hall (later Hobbs) wore this blazer while studying at the Ballarat Teachers' College in 1954-55. The college was established after the Victorian State Government and the State Education Department decided to establish two provincial teachers' colleges, at Ballarat and Bendigo. On 04 May 1926 W.H. Ellwood (Principal), Miss A. Bouchier, and Mr A.B. Jones, welcomed the first enrolment of 61 students to undertake the one year course. In 1927 the College moved to the former Ballarat East Town Hall in Barkly Street, which was remodelled for their use. It closed in December 1931 due to the Great Depression. In 1946 Ballarat Teachers' College reopened and relocated to the Dana Street State School. It was originally planned to open as a women's college, for whom the residence at 130 Victoria Street was purchased, but the decision was made to admit resident men from Ballarat. Mr T.W. Turner was appointed as Principal in 1951 and directed the introduction of a two year course for the Trained Primary Teachers' Certificate. The former one year course was terminated at the end of 1951. In 1958 the College was relocated to a custom built facility at Gillies Street, in close proximity to the Ballarat Botanical Gardens. Numbers increased with the introduction of the Trained Infant Teachers' Certificate course under the guidance of Mary Egan. With the introduction of a three year Diploma Course in 1968 accommodation became cramped. The introduction of the Diploma of Teaching (Primary) led to the Trained Infant Teachers' Certificate being discontinued in 1969, and the end of the Trained Primary Teachers' Certificate in 1969. Secondary Art and Craft students began studies at Ballarat Teachers' College in 1969 under Mr Ted Doney. In 1971 Mr D. Watson was appointed Principal. The State College of Victoria was proclaimed by Order in Council on 24 July 1973, and Ballarat Teachers' College became a constituent college of the State College of Victoria, and was known as State College of Victoria, Ballarat. By 1975 the College moved to Mount Helen as part of the Ballarat College of Advanced Education. Pre service teachers currently undertake their studies on the Mount Helen Campus of Federation University. ("Ruffians Attempted to Carry off the School Tent: A History of State Education in Ballarat", 1974, p73-4.)Blue unlined, woollen Ballarat Teachers' College blazer with embroidered pocket. The jacket had three buttons at the front although two are missing. The edges are all bound with tape including the pocket and the sleeve binding is 12cm from the cuff edge. The seam edges are either turned back and stitched or cut with pinking shears. There is a small panel on either side of the inside between the side seam and the facing which reinforces the pockets.Embroidered emblem of the Ballarat Teachers College and woven makers patch - The Myer Store for Menballarat teachers' college, blazer, wilma hall, wilma hobbs, textiles, costume, embroidery, uniform -
Warrnambool and District Historical Society Inc.
Ledger, Warrnambool Woollen Mill, Mid 20th century
In 1869, the Warrnambool Meat Preserving Company commenced their business on the site, where it operated until 1875 when it was sold to the directors of the Warrnambool Woolen Mill Company. After being destroyed by fire in 1882 it wasn’t until 1910 that the Warrnambool Chamber of Commerce was approached by Marcus Saltau and Peter McGennan to invest in a new mill. The original directors were James Dickson, P J McGennan, Robert Swinton, M Saltau, and J W Younger. In 1955 the Warrnambool Woollen Mill formed a partnership with the Wangaratta Woollen Mills. Dunlop bought the mill in 1968. From that time until its closure in 2000 it had a number of different owners, the last being the Smith Family Industries. This ledger relates to the operations of the mill in the period 1941-1943. It record items such as quantities and hours of wool being spun, combed, woven, carded. it also records the amount of waste from the processes and the quantities held in the warehouse of blankets, bales of wool, rugs. An item which has a strong connection to one of Warrnambool's longest running businesses and one of its largest. Thousands of local people over the years have been employed there and have an attachment to the woollen mill.It gives an insight into the daily runnings of the business.Black card covered exercise book which is divided into various sections. Pages are lined and it has approximately 150 pages. -
Kew Historical Society Inc
Clothing - Gaiters, Woven Wool, Leather & Metal Gaiters, Twentieth Century
Pair of knee-high tweed woollen gaiters with attached leather straps and metal buckles to tie around each footcostume accessories - gaiters -
Tatura Irrigation & Wartime Camps Museum
Neck Tie, 1940's
material for the tie was woven from Australian wool on a loom at Camp 1. The material was cut and made into a neck tie and used by Gerda Kazenwadel at Camp 3.woollen tartan, red, royal blue, green and black neck tie.gerda kazenwadel, woollen neck tie, camp 1 weaving -
Tatura Irrigation & Wartime Camps Museum
Clothing - Scarf, 1940's
Made and used by internees at Camp 3Woven burgundy, yellow, green, light blue and darker blue woollen scarf, with tassels at each endscarf, hoefer family, camp 3, tatura, ww2 camp 3, handcrafts, weaving, clothes -
Tatura Irrigation & Wartime Camps Museum
Accessory - Men's Tie, 1940
... Loom woven red and blue woollen tie.... Tatura the-murray Men's Tie Accessory Loom woven red and blue ...Made by Max Baumann Internee Camp 13 Loom woven red and blue woollen tie.tatura, costume, accessory -
Williamstown High School
Blazer 1950s
Black woollen blazer, with Williamstown High School embroidered badge on pocket, trimmed with red woven binding.school uniform, williamstown high school, blazer, 1950s, noel johnson -
National Wool Museum
Uniform - 1992 Barcelona Olympic Games Official Occasions Tie, Wendy Powitt, c. 1992
About the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- During the 1980's the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of Controller, Technical Marketing where wool was to be marketed on its technical properties, as distinct from the Product Marketing Group which exploited the traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.8129.1 - Yellow woollen tie printed with an Australian floral design inspired by the work of artist Margaret Preston. Half of the tie is unprinted and cream in colour. On the reverse of the tie is a label with the manufacturers name. 8129.2 - Yellow woollen tie printed with an Australian floral design inspired by the work of artist Margaret Preston. Half of the tie is unprinted and cream in colour. On the reverse of the tie is a label with the manufacturers name. 8129.3 - Sample fabric showing the printing layer of tie, uncut.8129.1 - Tag on reverse - WOVEN & MANUFACTURED IN AUSTRALIA BY "Tee - Dee" EXCLUSIVELY FOR THE AUSTRALIAN WOOL CORPORATION 8129.2 - Tag on reverse - WOVEN & MANUFACTURED IN AUSTRALIA BY "Tee - Dee" EXCLUSIVELY FOR THE AUSTRALIAN WOOL CORPORATION 8129.3 - Stapled Label - "PURE WOOL PRINTED TIE"1992 barcelona olympics, sport, athletes, fashion, design, uniform -
National Wool Museum
Book, Hand books of the textile industry, vol 2: manufacture of narrow woven fabrics
"Hand books of the textile industry, vol 2: manufacture of narrow woven fabrics" - E A PosseltK M Chisholm/ Denholm/ Bowenfelstextile calculations textile industry weaving textile industry - education, weaving, weaving looms, yarn - woollen, yarn - worsted, ribbon, textile calculations, textile industry, textile industry - education -
National Wool Museum
Card
... the process of mending the newly woven cloth. Australian Woollen Mills ...This card is the thirteenth in a set of 16 information cards produced by the Stamina Clothing Company re: Australian Woollen Mills as give aways. It looks the process of mending the newly woven cloth.Card no. 13 from the Crusader Mills information card set, c.1945-55. Verso of card no. 13 from the Crusader Mills information card set, c.1945-55.No. 13 Inspecting and mending any slight imperfections.australian woollen mills pty ltd stamina clothing company, mending -
National Wool Museum
Jacket
Jacket woven and made at the Commonwealth Woollen Mill and Clothing Factory, Geelong.Victorian policeman's jacket, woven and made at the Commonwealth Woollen Mill and Clothing Factory, Geelong.commonwealth woollen mills, uniforms -
National Wool Museum
Tag, All Together Australian
Swing tag, guarantee that product is made in Australia from fabric knitted or woven by an Australian mill.Swing tag, guarantee that product is made in Australia from fabric knitted or woven by an Australian mill.woollen mills, valley worsted mill -
National Wool Museum
Sock
A men's fine woollen sock, plain navy blue, woven with fine ribbing, c1930's and 1940's, possibly manufactured by Scallywags .A men's fine woollen sock, plain navy blue, woven with fine ribbing, c1930's and 1940's, possibly manufactured by Scallywags.textile industry knitting, scallywags industries, textile industry, knitting -
National Wool Museum
Throw, 2017
Anlaby’s sheep are born, bred and shorn at their farm located in South Australia. The wool is then scoured at Michels in Adelaide, combed and turned into Tops at Cashmere Connections in Bacchus Marsh, and then Spun and Woven at a historic mill in Scotland named Johnstons of Elgin. Sewing is completed by artisan seamstresses and packaging is from a local Adelaide family business. Established in 1839 just North of the Barossa Valley in South Australia, Anlaby is the oldest continuing merino sheep stud on mainland Australia. Fredrick Dutton employed Alexander Buchannan to bring sheep to the buoyant market in Adelaide from Goulburn NSW. Several others speculated on possible successes, including Buchannan and a flock of 18,000 sheep were walked overland. The trek took nine months. During this time the Adelaide market prices had collapsed. Having found land with a spring of sweet water, Dutton decided to keep his flock of 5,000 stud sheep and purchased a small parcel of land that is now called Anlaby. The property prospered and Buchannan was employed as manager for the next 25 years. At its height Anlaby covered 250sq miles – 160,000 acres and employed 70 men. The first bale of wool from South Australia to be auctioned in London came from Anlaby. The Anlaby stud also provided the foundation ewes for the well-known Bungaree merino stud in 1841. With prosperity came a large house and gardens for Buchannan in 1861. Anlaby was inherited by Henry Dutton from his uncle in 1895. Squire Dutton, as he was known, continued to grow the family’s fortunes and spent his money expanding the grand home and creating a magnificent 10-acre garden. Today the Anlaby merino stud continues and both the house and garden are undergoing significant restorations. Wool continues to be one of the most important elements at Anlaby. It was the source of great wealth in the past and is now directly tied into Anlaby’s future. Anlaby makes beautiful woollen scarves, lady’s wraps, exquisite throws and small range of baby blankets. From the moment a lamb is conceived and through its entire lifecycle Anlaby look after nutrition and quality of life. Twice a year the sheep are shorn and the wool using minimal treatment is washed, combed, spun and woven into the Anlaby product range. This attention to detail results in the buttery softness distinctive of the exclusive woollen range.Throw came with packaging and information card which reads ANLABY in large capital lettering at the top and bottom of either side of card. Throw is white with green edging of 15cm on two edges. Within this edging is the sewing of a tree in white.Wording: ANLABY Pure Anlaby Merino Wool Oldest merino stud on mainland Australia Made in Australia Card. Wording: ANLABY Certificate of Authentication THIS CERTIFICATE AUTHENTICATES THE PRODUCT TO BE 100% AUSTRALIAN AND MADE FROM PURE MERINO WOOL PRODUCED EXCLUSIVELY AT THE ANLABY MERINO STUD IN SOUTH AUSTRALIA THE ANLABY FLOCK (REGISTERED NUMBER 102) IS THE OLDEST CONTINUOSLY OPERATING MERINO STUD IN MAINLAND AUSTRALIA. THE MERINO FLOCK AT ANLABY MAINTAINS A GENETIC LINE STARTED IN 1839 THIS PRODUCT IS PART OF THE LIMMITED EDITION RANGE PRODUCED AT ANLABY. IN 2014 WE CELEBRATED ANLABY’S 175TH ANNIVERSAY ANLABY Reverse. Wording: ANLABY PURE NATURAL WOOL THE SHEEP GRAZE AMONGST THE GUM TREES ON THE ROLLING HILLS OF ANLABY. ANLABY SHEEP ARE CHARACTERISTICALLY BIG BODDIED AND BRED TO FLOURISH IN THE WARM AUSTRALIAN CLIMATE. OUR WOOL IS MINIMALLY TREATED AND THE PRODUCTS ARE MADE IN SMALL RUNS UNDER THE PERSONAL SUPERVISION OF THE OWNERS. WE BELIEVE IN SUSTAINABLE AND RESPONSIBLE FARMING AND MILLING PRACTICES. THE ATTENTION TO DETAIL RESULTS IN THE BUTTERY SOFTNESS DISTINCTIVE OF THIS EXCLUSIVE WOOLLEN PRODUCT. WITH CARE THIS IS A TREASURED ITEM FOR THE NEXT GENERATION. ANLABY www.anlaby.com.auwool, merino sheep, south australia, wool processing, wool processing textile finishing -
National Wool Museum
Photograph, Queen Elizabeth II visit to Geelong, 1988
In 1988 Her Majesty Queen Elizabeth II and Prince Philip travelled across Australia to take part in the bicentenary celebrations. In April Her Majesty Queen Elizabeth II and Prince Philip arrived in Geelong to open the Wool Week Display in the almost complete National Wool Centre. Crowds gathered to welcome the royal couple, wool shearing demonstrations took place outside the centre and “Spud” the sheepdog exhibited his heading talents. During their visit to the wool centre they were met by the chairman of the Geelong Regional Commission, Mr Colin Atkins and Mrs Monique Atkins. The Queen was presented with a rug woven by the museums 1910 gripper-type Axminster Jacquard carpet loom and the Duke was presented with a woollen jumper. In return the Queen presented three letters from the archives of the Windsor Castle to the museum. The couple left in the afternoon, charming the Geelong crowd. Two black and white photographs of Her Majesty Queen Elizabeth II, accompanied by the City of Greater Geelong Mayor, Jim Fidge, watching a shearing demonstration by local Geelong shearers outside the then National Wool Centre. Her Majesty Queen Elizabeth II opened the Wool Week Display in the almost complete National Wool Centre during her visit in April 1988.royal visit, wool centre, geelong, queen elizabeth ii, prince philip, national wool centre., bicentenary celebrations -
National Wool Museum
Royal Visit Souvenir, 29th April 1988
In 1988 Her Majesty Queen Elizabeth II and Prince Philip travelled across Australia to take part in the bicentenary celebrations. In April Her Majesty Queen Elizabeth II and Prince Philip arrived in Geelong to open the Wool Week Display in the almost complete National Wool Centre. Crowds gathered to welcome the royal couple, wool shearing demonstrations took place outside the centre and “Spud” the sheepdog exhibited his herding talents. During their visit to the wool centre they were met by the chairman of the Geelong Regional Commission, Mr Colin Atkins and Mrs Monique Atkins. The Queen was presented with a rug woven by the museums 1910 gripper-type Axminster Jacquard carpet loom and the Duke was presented with a woollen jumper. In return the Queen presented three letters from the archives of the Windsor Castle to the museum. The couple left in the afternoon, charming the Geelong crowd. Souvenir newspaper, relating to Her Majesty Queen Elizabeth II visit to Geelong in April 1988 where she opened the Wool Week Display in the almost complete National Wool Centre.Front page title: Hello, Goodbye Your Highnessroyal visit -
National Wool Museum
Royal Souvenir Edition, 29/4/1988
In 1988 Her Majesty Queen Elizabeth II and Prince Philip travelled across Australia to take part in the bicentenary celebrations. In April Her Majesty Queen Elizabeth II and Prince Philip arrived in Geelong to open the Wool Week Display in the almost complete National Wool Centre. Crowds gathered to welcome the royal couple, wool shearing demonstrations took place outside the centre and “Spud” the sheepdog exhibited his heading talents. During their visit to the wool centre they were met by the chairman of the Geelong Regional Commission, Mr Colin Atkins and Mrs Monique Atkins. The Queen was presented with a rug woven by the museums 1910 gripper-type Axminster Jacquard carpet loom and the Duke was presented with a woollen jumper. In return the Queen presented three letters from the archives of the Windsor Castle to the museum. The couple left in the afternoon, charming the Geelong crowd. Souvenir newspaper, consisting of one large rectangular pieces of newsprint folded in half to form two pages. It contains articles and photographs relating to Her Majesty Queen Elizabeth II visit to Geelong in April 1988 where she opened the Wool Week Display in the almost complete National Wool Centre.Front page heading: Queen of heartsroyal visit -
Hume City Civic Collection
Hat, CFA Leiutenant, c 1960
This hat was worn by members of the Country Fire Authority on ceremonial occasions.A peaked black woollen gaberdine fireman's hat with a black petersham band edged with silver binding. There is a silver badge with the letters CFA- Lieutenant in the middle of the band. On each side there are two silver buttons with 'cfa' stamped on them. Attached to these two buttons is a black plastic band. There is green plastic under the peak. The bowl of the hat is lined with red woven cotton and manufacturing details are stamped in gold. There is a brown plastic band around the headband.(On the inside of the hat) Melbourne 36 1218 / EMERCO / This is your guarantee for quality./ Made in Australia./country fire authority, emerco hats - melbourne, hats, clothing, george evans collection -
Tramways/East Melbourne RSL Sub Branch - RSL Victoria Listing id: 27511
Ceremonial Belt, Stable Belt
The belt was owned and used by Pte Sean Farrow, and is created in regimental colours. Was worn over the dark green woollen jersey. Ceremonial Belt mounted on wooden plaque. Belt buckle is made of brass and is inscribed with "The Royal Australian Regiment" in the centre. The physical belt is coloured red and blue and made of a woven material. The brass plaque mounted on the wooden background reads 'Presented by 3206686 Pte Sean Farrow D COY 6RAR - 1990/91'belt, ceremonial belt, royal australian regiment, 6rar -
Whitehorse Historical Society Inc.
Clothing - Womens Suit, 1987
Donor, Valda Arrowsmith wore the suit during her time as Mayor of Nunawading at official functions in 1987/8.1987 Two piece black woollen suit. Skirt is straight hand woven and is lined. Top is woven wool with panels in shades of blue lurex, wool, braid, chenille and black lurex. Sleeves are magyar style. Black ribbed band at waist.costume, female